Alfred "Bo"
Lomahquahu
Buffalo Maiden
12 1/4"
H with 1 1/2" base
"This Kachina may also
be referred to as Mosairu Mana. This is simply the Buffalo Maiden
Kachina who accompanies the Buffalo Kachina at dances in which
that Kachina appears.
"The tablet on her back
is a sun symbol surrounded by turkey feathers. She will carry
notched prayer sticks in both hands. Kachinas having lives, like
other Hopis, may have manas, such as wives, mothers and sisters,
who accompany them.
"Shungopavi, Second Mesa:
This Kachina appears only at First and Third Mesas and does not
appear at Second Mesa. She will use eagle tail feathers rather
than turkey tail feathers on her back's tablita."
- Ricks, J. Brent, et al., Kachinas:
Spirit Beings of the Hopi (140)
Alfred "Bo" Lomahquahu
was born at Keams Canyon, Arizona in April, 1964. He was raised
in the small Hopi village of Bacavi, high atop Third Mesa, in
Northern Arizona. He learned early the wisdom of accepting and
following his elder's counsel. Advice given him by one grandfather,
a Hopi medicine man, to travel and gain new experiences, was
particularly influential in the shaping of Alfred's life and
principles.
As a direct result of that
advice, he departed his homeland and attended a boarding school
in Riverside, California. After completion of his formal education,
Alfred joined the Marines, and for the next six years, he traveled
extensively. As he observed other cultures, Alfred developed
a deeper appreciation for the Hopi's simple way of life.
A short while after his return
to the States, an unfinished kachina was given to him to complete.
His first kachina was so well received that he decided to pursue
carving as his vocation. From that point, Alfred's destiny became
clear. Today his kachinas are still well received and admired
as evidenced by his numerous awards.
At times criticized for his
use of power tools when applying finishing touches to his kachinas,
Alfred replies, "If you want to accomplish anyhing, you
have to use every available means."
In each of his dolls, the
spiritual element is always present. Couples with that element,
Alfred does his utmost to give good form and outstanding physical
characteristics to each finished piece. He is always hopeful
that each of his kachinas will eventually grace a home where
good feelings abound, for the underlying purpose of the kachina
is to promote harmony.
Ten hour days are the norm
for Alfred, but he enjoys his "work" and is happy with
it. With each passing day, as he patiently toils, Alfred attempts
to instill those long ago, sage words of his grandfather, within
his own children.
Alfred continues to create
masterfully done pieces of art for an ever growing audience of
ardent fans, loyal supporters, and avid kachina collectors.
