Coolidge Roy
Jr.
Great Horned
Owl
9 1/2"
H with 1" base
Coolidge Roy Jr. and his wife
Juanita live on Third Mesa in Oraibi, Arizona. Coolidge has long
been famous for his magnificently beautiful Eagle Dancer Kachina
dolls.
Coolidge's father was a carver,
too, as are his brothers and sons. Other fine examples of Coolidge's
work can be found in most books on Hopi art including Hopi
Kachina Dolls and their carvers by Theda Bassman and Erik
Bromberg's The Hopi Approach to the Art of Kachina Doll Carving.
He was born on August 4, 1950
and has been carving for well over 30 years. His work is well
known and can be recognized easily because of his unique style.
One of the most noticeable aspects of his carvings is the "natural"
coloration that he achieves by using only very faint pigments.
He likens his experise unto
a professor or doctor who has spent their whole life learning
their profession, and it shows in his work.
Coolidge has a lot of respect
for his tradition and is extremely sensitive to it. He will not
carve certain figure who "the elders" have warned against
- concerned that it might bring misfortune to a friend or family
member.
"Most of the time, when
I am carving," he said, "I sing a song, a special song
for each carving. The songs that I sing are the songs the Kachinas
dance to. It's their song."
He also has a tradition of
gathering up his shavings and taking them to a special place
where he leaves them and lets the wind carry them away.
"The Great Horned Owl
[Mongwa] is best noted for his incessant war on the clowns. As
the clowns follow their usual pattern of un-Hopi-like behaviour,
a single silent figure will drift into one corner of the plaza
and watch these uncouth fellows."
"When the clowns next
appear, growing ever more boisterous in their actions, the Owl
again appears and hoots solemnly. With each appearance he gets
closer until he ends up talking with the clown chief who promptly
blames all misbehaviour on the other clowns."
"But at the last performance,
the Owl is joined by other Warrior Kachinas. They leap upon the
clowns, douse them with water, beat them vigorously with willow
switches or yucca blades, and leave them howling with remorse
in a pile in the middle of the plaza."
- Barton Wright, Kachinas: a Hopi
Artist's Documentary (111)
