Alfred "Bo"
Lomahquahu
Kokopelli
Couple
11" total
height
The Kokopelli is a world-renowned
figure who's origin and purpose have been argued by every group
who has ever claimed him. Still the most consistent record lies
in the unadulterated legends of the Hopi culture. (no pun intended!)
He has been referred to as
a flute player, a rain god, a trickster, a traveler, a musician,
the hump-back, a fertility god, and so on. His appearance suggests
many of these things at different times.
Among the Hopi, he is only
a flute player when he borrows a flute to dance. The hump on
his back is thought to be a satchel full of seeds - for he is
a planter, and with him usually comes life and abundance. The
Springtime is often associated with the Kokopelli because of
the new growth and appearance of flowers.
Legends have recorded the
Kokopelli as a sexual figure who not only brings blessings to
the crops but also leaves the villages full of new mothers. All
in all, he represents fertility. And he has certainly left his
mark, as he can be found in the cultures of South and Central
America, as well as all of the other tribes of the Southwest.
Some have said that the flute
that seems to appear in his hands is actually a planting stick
which he uses to burry the seeds from inside his pack.
Alfred "Bo" Lomahquahu
was born at Keams Canyon, Arizona in April, 1964. He was raised
in the small Hopi village of Bacavi, high atop Third Mesa, in
Northern Arizona. He learned early the wisdom of accepting and
following his elder's counsel. Advice given him by one grandfather,
a Hopi medicine man, to travel and gain new experiences, was
particularly influential in the shaping of Alfred's life and
principles.
As a direct result of that
advice, he departed his homeland and attended a boarding school
in Riverside, California. After completion of his formal education,
Alfred joined the Marines, and for the next six years, he traveled
extensively. As he observed other cultures, Alfred developed
a deeper appreciation for the Hopi's simple way of life.
A short while after his return
to the States, an unfinished kachina was given to him to complete.
His first kachina was so well received that he decided to pursue
carving as his vocation. From that point, Alfred's destiny became
clear. Today his kachinas are still well received and admired
as evidenced by his numerous awards.
At times criticized for his
use of power tools when applying finishing touches to his kachinas,
Alfred replies, "If you want to accomplish anyhing, you
have to use every available means."
In each of his dolls, the
spiritual element is always present. Couples with that element,
Alfred does his utmost to give good form and outstanding physical
characteristics to each finished piece. He is always hopeful
that each of his kachinas will eventually grace a home where
good feelings abound, for the underlying purpose of the kachina
is to promote harmony.
Ten hour days are the norm
for Alfred, but he enjoys his "work" and is happy with
it. With each passing day, as he patiently toils, Alfred attempts
to instill those long ago, sage words of his grandfather, within
his own children.
Alfred continues to create
masterfully done pieces of art for an ever growing audience of
ardent fans, loyal supporters, and avid kachina collectors.
