Jon Cordero
Rattle Racer
7 1/4"
total height
As a "runner," the
Aya belongs to a class of kachinas who are not dancers
but rather run races with the men and boys of the village. "They
come in the late spring, either as a group or as individuals,
during a pause in a Mixed Dance or Plaza Dance.
Usually they will select one
end of the Plaza and , assembling there, will endeavor to have
an individual race them. If there are many runners, or Wawarus,
there will be a great churning about with one or another racing
down the length of the Plaza and other prancing up and down to
ready themselves for the coming contest.
Quite often they will lure
some unwary clown into racing and will immediately catch the
hapless individual and perpetrate their peculiar form of punishment
on him. They quickly tire of this and will gesture or hold up
a reward to some young man in the crowd of bystanders.
If he accepts, they will allow
him about ten feet of space in which he can move about as he
pleases. But the minute he leaves the area he runs as if instant
disaster were behind him, and it usually is, for some of the
punishments are quite unpleasant.
Win or lose, he will receive
payment with some kind of food from these racers. No one is safe
from the oldest man to the youngest boy; all, including white
members of the audience can receive the attention of these kachinas.
The kachinas are expected to pay for whipping the young men,
and this they do by sending water when it is needed for germinating
the crops."
- Barton Wright, Kachinas: a Hopi
Artist's Documentary (218)
Born June 16, 1968 to the
village of Moenkopi, Arizona, Jon is the son of a Hopi mother,
and a Cochiti father who died when Jon was just a baby.
Although Jon was raised on
the Hopi Reservation, he would always spend a month each summer
with his Cochiti grandmother, the famed matriarch of storytellers,
Helen Cordero. His grandmother tried to teach him to make storytellers,
but it just wasn't his calling.
Instead, when he was in high
school, he learned to carve Kachina dolls from his uncles, Hopi
master carvers Loren Phillips and Tom Holmes. And Loren was not
only his teacher but also continued to encourage Jon in his carving
through the years.
Like the traditional Hopi
Jon continually strives to be, he works very hard all the time
tending to his cattle and his horse as well as planting and tending
his crops of corn, beans, melons and squash. And he participates
in the dances, in respect to the Kachinas.
Yet Jon always finds time
to do what he likes best, and that is to carve. Instead of carving
alone, Jon prefers the company of other carvers. His favorite
carving buddy has always been his cousin and clan brother Leonard
Selestewa, who was also always a great source of encouragement
for Jon. Among the many books on Hopi Kachinas that mention Jon
and his work is Theda Bassman's Hopi Kachina Dolls and their
carvers.
Jon says he is serious about
his carving and wants to carve for the rest of his life. Whenever
he finishes a carving he hopes it will find a good home, and
whoever buys it will admire it for the rest of their lives. Jon
has become well-known for his beautiful, realistic Kachina doll
carvings and his work has become highly sought after.
