Jackie Larson Bread
Blackfeet

"Keeper of Random Thoughts"

First Place - Beadwork (NPIAM)

6" H x 5" W / 1/2" base



As a young girl growing up on the Blackfeet Reservation, in Montana, Jackie Larson Bread taught herself the time-consuming and delicate art of beading by watching her grandmother.

Jackie attended the Institute of American Indian Arts in Santa Fe, New Mexico earning degrees in two-dimensional arts and museum studies.

Blackfeet beadwork always remained an interest and was incorporated into her painting and printmaking. While at IAIA, Jackie helped develop illusionary pictorial beadwork, where pictorial depth is created by using different graduated shades of beads.

Upon returning to Montana, Jackie worked at the Museum of the Plains Indian, where she began to study the magnificent beaded pieces housed in the museum.

Currently traditional plains ledger art, with its vibrant color and stylized depictions is the basis for much of Jackie's beadwork. Illusionary pictorial beadwork, as well as delicate Blackfeet florals and bold Blackfeet geometric design comprise the remainder of her current work. Images are hand-drawn and composed into intricately beaded bags, boxes, parasols, and other traditional utilitarian items.

Jackie continues to live in Montana and works full-time as a beadwork artist - attending several shows each year. Her art is included in many permanent and private collections including the Smithsonian Institution's Museum of the American Indian.

Jackie's beadwork has been acknowledged with many awards at the prestigious Heard Museum Show, in Phoenix, Arizona, the Santa Fe Indian Market, and the Northern Plains Tribal Arts Show in Sioux Falls, South Dakota.

"I try to place myself in the frame of mind of a nineteenth century artist. Using a limited palette of colors, I strive to produce a beaded piece true to that time period. I use old stock beads or modern re-runs of old colors, to lend a feel of authenticity to each piece."



"The title of this piece is 'Keeper of Random Thoughts.' I had wanted to (hopefully) give a larger view of what my people are and were in a smaller space.

"The faces tell of a time when people still had very distinct traditional ways, yet were intrigued by and sampled the more contemporary trends.

"The people are of the Amskapi Pikunni or Southern Piegan band of the Blackfeet Confederacy. They all lived in Browning, Montana and the photos I used were taken around 1920.

"The man with the 'standup' hairdo is Fish Wolf Robe. He is wearing a fully beaded floral vest with a fully beaded tie and collar - very trend setting for this time period.

"The man in the 3/4 view is Owen Heavy Breast. The buckskin shirt he is wearing is a typical Blackfeet design. He was a neighbor and friend of my grandfather's, and I remember him well. He was such a nice man. (continued below...)



"The final portrait is of Yellow Kidney (he is one of my relatives). He is wearing an old-style shirt with red wool insets. He is such a happy person in all of his photos. I really like to bead his image.

"The designs in the background are composed of a parfleche design, lodge designs, and old style floral designs. The beaded perimeters of the box are my signature style, virtually all of my pieces have some form of this border.

"The colors are not traditional Blackfeet combinations, although blues were heavily used by my people. The beads are size 14 and a small amount of size 11. The stitch technique is called applique, a two needle process where one needle carries the beads and the other is used to sew down the beads.

"Blackfeet people use this stitch exclusively. It is incredibly time consuming and the most complex stitch used in traditional beadwork. I like the detail that this stitch renders and the smooth tight appearance that it gives."

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