Clark Tenakhongva

Great Horned Owl

9 1/2" total height


"The Great Horned Owl [Mongwa] is best noted for his incessant war on the clowns. As the clowns follow their usual pattern of un-Hopi-like behaviour, a single silent figure will drift into one corner of the plaza and watch these uncouth fellows."

"When the clowns next appear, growing ever more boisterous in their actions, the Owl again appears and hoots solemnly. With each appearance he gets closer until he ends up talking with the clown chief who promptly blames all misbehaviour on the other clowns."

"But at the last performance, the Owl is joined by other Warrior Kachinas. They leap upon the clowns, douse them with water, beat them vigorously with willow switches or yucca blades, and leave them howling with remorse in a pile in the middle of the plaza."

- Barton Wright, Kachinas: a Hopi Artist's Documentary (91)

Another characteristic of the Owl is that of a messenger. He comes to warn the village and to call them to repentance. Perhaps this is why he carries on that way with the clowns - as a symbol. He comes to warn them of the bad things that can happen if they are not living right.


Clark Tenakhongva was born in 1956 and comes from a long line of accomplished Hopi carvers. Clark, along with other young carvers have rekindled the traditional style of Hopi doll carving, like their Grandparents who were actively carving in the early 1900's. These dolls closely resemble those dolls made at the turn of the century.

The early traditional style Kachinas have bodies that are carved to approximate human proportions. For example, the arms are usually at right angles and are pressed against the body. A static kilt and sash resemble the lower part of the body and the legs are usually short. The head however, is carved and painted correctly to identify each specific Kachina. These dolls exhibits a pronounced spirituality because of their strong stylization and abstractness. For Clark, his Kachina carving is less of an art form and more of a religious act.

Clark's natural paints are very unique. They are thick and textured.



He does not use a sealant, but uses a substance called 'tuuma' which makes the pigment very difficult to rub off. He gets his pigments from all over the southwest and he uses natural pigments of plant dyes and minerals.

Clark first started carving Kachinas when he was 13 years old. He carved the 'old-style' or what he refers to as the traditional style dolls that he used to decorate his house.

When a trader from Second Mesa first saw these dolls hanging on the walls of Clark's home, he suggested that Clark should start selling these dolls. So, in 1994, Clark started carving the traditional dolls full time and the first show he entered was at the Santa Fe Indian Market.

The doll is signed on the bottom of the feet with Clark's signature and hallmark. Clark is one of 19 featured artists in the book "Traditional Hopi Kachinas" by Jonathan S. Day. Clark is also in "The Art of The Hopi" by Lois & Jerry Jacka on several pages.

Gallery Price: $390.00

SOLD

Other Items Available
in the
Gallery Area  


If you have questions about this
item, please contact Brandon:
sales@ancientnations.com

1.800.854.1359

Ask About Our Lay Away Program

To return to the gallery: Click Here
Additional information: Purchase Details