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Arthur Holmes Sr. : Great Horned Owl

17 1/2" total height


"The Great Horned Owl [Mongwa] is best noted for his incessant war on the clowns. As the clowns follow their usual pattern of un-Hopi-like behaviour, a single silent figure will drift into one corner of the plaza and watch these uncouth fellows."

"When the clowns next appear, growing ever more boisterous in their actions, the Owl again appears and hoots solemnly. With each appearance he gets closer until he ends up talking with the clown chief who promptly blames all misbehaviour on the other clowns."

"But at the last performance, the Owl is joined by other Warrior Kachinas. They leap upon the clowns, douse them with water, beat them vigorously with willow switches or yucca blades, and leave them howling with remorse in a pile in the middle of the plaza." - Barton Wright, Kachinas: a Hopi Artist's Documentary

Another characteristic of the Owl is that of a messenger. He comes to warn the village and to call them to repentance. Perhaps this is why he carries on that way with the clowns - as a symbol. He comes to warn them of the bad things that can happen if they are not living right.

 


 

Arthur Holmes Sr. is the father and teacher of well-known Hopi carver, Arthur Holmes Jr. Both have received recognition for their superb work in kachina carving. Highly sought after by collectors, both Arthur Sr. and his son keep busy producing some of the finest carvings available.

Their work can only be found in the most discriminating collections, galleries, and museums around the world. Arthur has a truly unique vision for realistic contemporary kachina carving which he has succesfully passed on to his son.

As a Hopi Kachina Carver, Arthur Holmes, Sr. has often found that the pieces he carves, will become what they want to become. Every aspect of this piece is detailed to the extreme. We took special notice of the hands, fingernails, and folds in the sash and robe. A special feature is the cluster of feathers emerging from the mouth - representing the sacred "breath" of life. This is a rare and sometimes considered taboo feature but adds a great deal of character to this piece.

Like his son, Arthur Sr. is a very quiet person who enjoys carving in seclusion. This approach seems fitting since so much of the Kachina tradition involves a reverence for the natural and animal world. This same regard for nature and the spiritual realm is reflected in Arthur's highly detailed and extremely realistic carvings.

If you're looking to add an excellent example by one of the living-masters - here's your chance.

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